Rob Pulham
Western Thunderer
The painting bug has really bitten at the moment and more detail on the A3 has ensued - I need to let it dry thoroughly before handling it for painting photography though.
While that's been going on and I had the enamel paints out I had another go at some of the various nameplates that I have tried unsuccessfully to paint in the past. When I say unsuccessfully I mean that I wasn't happy with the result.
So first up is the makers plates for the turntable.
These were done as suggested by Warren Haywood, painted with "white" (actually Humbrol ivory with a drip of black in it) enamel and left to harden for a few days followed up by a coat of Citadel Chaos black acrylic which was left to dry for 10 mins and then rubbed gently with a piece of thick card to remove the black paint from the raised lettering. While not perfect - but neither was the etching.... especially the maximum load line, it's a big improvement on my earlier efforts. The next job is to strip my Charles Roberts plates and e do them using the same method which will be fiddly but hopefully and improvement.
While that's been going on and I had the enamel paints out I had another go at some of the various nameplates that I have tried unsuccessfully to paint in the past. When I say unsuccessfully I mean that I wasn't happy with the result.
So first up is the makers plates for the turntable.
These were done as suggested by Warren Haywood, painted with "white" (actually Humbrol ivory with a drip of black in it) enamel and left to harden for a few days followed up by a coat of Citadel Chaos black acrylic which was left to dry for 10 mins and then rubbed gently with a piece of thick card to remove the black paint from the raised lettering. While not perfect - but neither was the etching.... especially the maximum load line, it's a big improvement on my earlier efforts. The next job is to strip my Charles Roberts plates and e do them using the same method which will be fiddly but hopefully and improvement.