These photos have all been featured on my workbench thread, but I also need to update the dedicated DTC thread...

Lots of 3D printing resulting in one of the close coupled '3-sets'; this one two Thirds 'piggy backed' to a First. The close coupling is via a single normal length buffer and a pad. Each Third has full length buffers one end and a pad the other making it possible to add a coach whilst maintaining the correct orientation of the assymetrical Newall brake shaft - I don't know if this was the actual arrangement but it seems most likely to me. The buffer housings are all 3D printed and the sprung buffers AGW coach ones turned down in my cordless drill to wagon dimensions. I had thought that the foot boards would need shortening, but that's not the case. A tad wavy for my liking, if they are to be 3D printed then they could benefit from an extra (unprotypical) support at each end. The first and third class coaches are the same length and it's astonishing that what is effectively a whole extra compartment has been squeezed in. Running on pinpoints the coaches vary in their free running, but are so short that propelling them through my crossover works well.

A revised 1862 First with the extra unprototypical footboard brackets at each end to keep them straight(er). Close inspection of the tumblehome will reveal the pixellated steps that Anti-Aliasing (if genuinely available on the Mono 4K) might soften. 3D printed steps for access to the oil lamps and fillers are provided at one end of the unbraked First Class coaches. The intention is still to fit suspension to my train via my own W Iron etches, so these are really test prints to iron out any problems with the CAD models and limits of the resin material and my 3D printer. This side of the coach is partially unhinged, but I can't remember if the central bottom hinge didn't print, or has just pinged off.
Beyond it is an 1859 Pass. Brake sporting what may be a 'Nine Elms' style caboose, painted, glazed and most importantly, safely separated from the edge supports and fitted without accident. This is the version raised by 0.5mm compared with the Weddell drawings to better match photos. Happily the templates I made for the original version now fitted perfectly! The double sided tape that I used to secure template to glazing had a more sticky and less sticky side. The stickier side needs to be on the template not the glazing - don't ask me how I know! The use of a brand new Swann Morton blade being essential when attempting to cut this (or probably any) sort of 'Plastiglaze'.

More 3D printing fug, and I had the other flavour of close coupled 3-set for the Downton Train Crash. Nearest is an 1862 First, then an 1862 Second and finally an 1865 Third. The First is unbraked, the Second and Third are braked and have pads on the nearer ends. All have the extra brackets to keep the footboards nice and straight. The First class was printed without Anti-Aliasing (AA), the Second and Third was printed with some measure of AA. The settings used were AA=4 and Gray Level=1. With AA on, the 'Cones of Calibration' tests became the 'Cones of Contradiction'. The cones would suggest over exposure when the sword fitted beautifully in the skull and wouldn't fit in either rock. Similarly the ale was a perfect fit in the mug. With AA exposure was increased from 2s to 2.4s. AA has softened the pixellated lines with no apparent loss of detail. It is striking how low the roofline of these coaches is compared with the AW diseasel, W Class or other modern stock. These coaches are very free running in both directions - the W Irons being a tad thicker, the pinpoint pockets slightly closer together and the wheel scallops in the floor a little deeper.