4mm Monks Ferry LNWR

[jonte]

Following instruction, I’m intending to paint appropriately two or three areas in bauxite.

Unfortunately, images of these long ago signals seem hard to come by and those in paintings seem daubed in anything from Smokey brown to, well, brown. There’s a (printed) image on the Wizard pamphlet with a bright coloured orangey/red which is probably more akin, but I’m looking to go down a subtler route.

Nothing ready made seemed to suit until I hit on this which seemed more in keeping so I plumped for it:



But when it arrived, it was deeper and lighter in colour.

I’m hoping that a thinly applied coat or two over the black undercoat might tone it down; an additional mist of white subduing it.

Bottom line: nobody’s around anymore who will remember the earlier signal livery, so reckon I should get away with it.

jonte

 

[Yorkshire Dave]

I’m hoping that a thinly applied coat or two over the black undercoat might tone it down; an additional mist of white subduing it.

I'd try one or two thin washes of cavalry brown/oxide over the existing grey primer and let that subdue it. You can always lightly dry brush with ivory or a very pale grey to accentuate a few highlights. I think a black undercoat will grin through darken the colour.

Bottom line: nobody’s around anymore who will remember the earlier signal livery, so reckon I should get away with it.

I wouldn't worry, go with what looks right to you from your interpretation of any descriptions available. If anyone deigns to criticise - ask them for photographic evidence. That should keep them quiet .

Reams, if not volumes, have been written about colour and the scaling of colour in this and other forums. At the end of the day the colour standards and pigment mixes stipulated by any railway company only appear as that colour when first applied. The next day it starts deteriorating through the actions of weather, UV light, airborne pollutants and cleaning.

My grandfather, who passed away in 1987, always told my dad and myself he could see the Midland Railway locomotive colours in his mind's eye but could never quite capture it exactly when trying to recreate it while painting pictures or models.

 

[Debs.]

My grandfather, who passed away in 1987, always told my dad and myself he could see the Midland Railway locomotive colours in his mind's eye but could never quite capture it exactly when trying to recreate it while painting pictures or models.

I feel the same about the ubiquity of B.R Blue, we're all so familiar with it, but I've never seen a model that accurately represents now, what our eyes saw at the time.

I have a form of synaesthesia; Chromesthesia (blended senses; to simplify 'I hear colour and see sounds').
So I can hear the small pitch change caused in hue between livery paint variants; but, nobody listens when I say Dapol and Heljan blues sound weird!

 

[jonte]

I'd try one or two thin washes of cavalry brown/oxide over the existing grey primer and let that subdue it. You can always lightly dry brush with ivory or a very pale grey to accentuate a few highlights. I think a black undercoat will grin through darken the colour.



I wouldn't worry, go with what looks right to you from your interpretation of any descriptions available. If anyone deigns to criticise - ask them for photographic evidence. That should keep them quiet .

Reams, if not volumes, have been written about colour and the scaling of colour in this and other forums. At the end of the day the colour standards and pigment mixes stipulated by any railway company only appear as that colour when first applied. The next day it starts deteriorating through the actions of weather, UV light, airborne pollutants and cleaning.

My grandfather, who passed away in 1987, always told my dad and myself he could see the Midland Railway locomotive colours in his mind's eye but could never quite capture it exactly when trying to recreate it while painting pictures or models.

I feel the same about the ubiquity of B.R Blue, we're all so familiar with it, but I've never seen a model that accurately represents now, what our eyes saw at the time.

I have a form of synaesthesia; Chromesthesia (blended senses; to simplify 'I hear colour and see sounds').
So I can hear the small pitch change caused in hue between livery paint variants; but, nobody listens when I say Dapol and Heljan blues sound weird!

Debs and Dave.

Your opinions/contributions are more than appreciated.

I really couldn’t have put it better.

Thank you, both.

Jon

 

[jonte]

@AdeMoore : if you’re reading this, Ade, thank you as always for your kind and keen interest which is very much appreciated.

Best,

Jon

 

[AdeMoore]

@AdeMoore : if you’re reading this, Ade, thank you as always for your kind and keen interest which is very much appreciated.

Best,

Jon

As always Jon, loving your work. Nice little videos of the signals working. Paint is coming along and will transform them.

 

[jonte]

Popped out to the ‘shop earlier to attempt the next stage in the painting process.

Took me longer re familiarising myself with the cleaning substances and thinners, followed by a laborious process of attempting to remove the cup cap which had managed to weld itself on in the months since I last used it due to a thin line of residual paint around the cap seal. In the end, I reached for the matches…….

Cleaned up accordingly, everything else was fine n dandy.

Then to my outright disappointment, I discovered that all that remained of my Tamiya black (acrylic) was approximately six tiny drops (I’ve Ammo, Humbrol, Vallejo, Revell; the list goes on; in my humble, Tamiya is without doubt the best behaved). Anyway, I managed to accomplish the task with the assistance of the Ammo stuff chosen at random. The other good thing about using Tamiya is that it’s stocked by the everywhere stores like Hobbycraft and The Range which saves on having to travel distances to the nearest modelling shops or fork out hefty carriage charges from specialist suppliers.

So just before reaching fir the trigger, I remembered Dave’s kind advice about masking off the base of the posts to ensure an optimal hue for the bauxite, so dug out my supply of Tamiya tape in a variety of thinnesses’. Re-reading the notes accompanying, I noted that the bases of LNWR posts set in the Mediaeval period, which is the period I’ve chosen to cobble a model railway together, were painted as such up to a height of 5’, which I think my humble math (math never maths, guys. Well according to those clever emeritus profs anyway. You know the types: those that ensure that our Unis secure funding each n every year by making up stuff like Global Warming and convincing their mates in government and media that it’s real stuff ) equates to twenty milli or so in 4mm scale. Using a measuring stick placed up against the post, it simply didn’t sit right with me (just the way I am, I suppose), so inthe end I selected the thickest bit of thin masking tape supplied by my Oriental friends which I reckoned looked about right; to my wonky eyes any road.

So off I squirted. Then I stopped, as I recalled from the accompanying notes once more: ALL the ironwork - including the caps - were bauxite! Too late.

Never mind, Dave, I tried:



Till next time, thanks for reading.

jonte

 

[40057]

those that ensure that our Unis secure funding each n every year by making up stuff like Global Warming and convincing their mates in government and media that it’s real stuff

Hi Jonte

Err… I can’t help noticing that in recent posts you have been complaining about the unbearable heat. How right you are, record breaking temperatures and heat waves. And not just this year, but more and more frequently in recent decades. Around 2,700 heat-related deaths in May and June in England and Wales alone, over 10,000 across Europe.

Nobody has made this stuff up.

I realise your remarks may have not been entirely serious, but climate change certainly is.

Martin

 

[jonte]

Hi Jonte

Err… I can’t help noticing that in recent posts you have been complaining about the unbearable heat. How right you are, record breaking temperatures and heat waves. And not just this year, but more and more frequently in recent decades. Around 2,700 heat-related deaths in May and June in England and Wales alone, over 10,000 across Europe.

Nobody has made this stuff up.

I realise your remarks may have not been entirely serious, but climate change certainly is.

Martin

Hi Martin

The school hols will be starting soon (some already have) so the sun will no doubt disappear again until they resume in early September when we can look forward to yet another characteristic Indian Summer.

I blame those darned volcanoes

Best.

Jon

 

[jonte]

Painting has begun:



I’m aiming for a worn but operationally kempt appearance. The harsh environment of the Mersey at this point would have taken its toll, and despite the grandeur of the pregrouping days, things were let go here towards the end of the station’s service as all eyes were on the soon to open joint station at Woodside.

The arms, however, would occasionally see a little attention to ensure they were still visible to the engine crews and guards.

In respect of the arms, they’re red mixed with black to tone them down and sprayed onto a black base. Unfortunately, I was out of flat red (Tamiya) so had to turn to an unopened container of Revell acrylic (awful stuff, but when needs must). I was tempted to use a thinner coat of paint for a worn appearance but as written above, I erred on the side of caution as this wasn’t BR towards the end of steam, so used a slightly thicker mix. A film of dirt applied later should help with the hint of neglect I’m trying to portray.

Thanks for looking.

jonte

 

[jonte]

Grasped the opportunity to do a tad more painting.

Masking up was done over a couple of days when the opportunity arose. Overall it wasn’t too bad, despite it being a fiddle threading it through the wires at times and I had to resort to cutting the masking tape accordingly (variety of widths) which also proved a challenge. Still it could have been better: in places I thought I might get away with partial covering of parts which I thought might be out of range of the spray, but the wind didn’t help here and there are obvious signs of overspray in one or two places. Ideally, I wanted to cover the white with a coat of varnish to seal the paint in order to resist the placing and unplacing of the masking tape (and which have helped in cleaning up the overspray )but like on a number of occasions with this build, I simply couldn’t trace the jar so carried on unabated. Inevitably, it’s produced one or two scars. My own fault due to impatience. Anyway, I popped over to the local Hobbycraft after dropping off the grandchildren last evening so will give it all a covering later.

I mixed up the paint (to a colour which I’ve convinced myself gives a convincing hue of LNWR bauxite, but frankly, I don’t really know what the shade was like. I just don’t think for some reason that the shades of brown seen in paintings from the past are a true reflection; just my humble……) from the Vallejo colour of which I’ve made mention before and some Red/Brown from Tamiya, hoping the Tamiya would tone it down. The colours used are seen in the next shot and I’ve attempted to show the contrast between the Vallejo as bought and the mix I’ve used in the jar alongside:



And here a couple or so of the results:



I had to wait for the sun to appear before taking the shots, as it’s been overcast here once more. I note that the sun has gone AWOL since I started writing this so I need to make progress whilst I can and will return to the airbrush later today (with my preference for working outdoors) as rain is forecast for the weekend, much to Olive my pet tortoise’s disappointment.

Anyway, hopefully they’re sporting the worn but not a totally abandoned look for which I’m aiming.

So next I’ll varnish as mentioned and apply some weathering here and there before reconstructing the parts and soldering on the blinders.

Cheers for now.

jonte