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35 results found for 'Gordon Gravett'
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Building a 'K'
Issue 140 (2003)
p.35
7mm
Gordon Gravett continues his 7mm scale project.
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Building a 'K' Part Three
Issue 141 (2003)
p.69
7mm
Gordon Gravett concludes his 7mm project.
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Buildings for Ditchling Green
Issue 57 (1992)
p.212
7mm
Gordon Gravett describes the methods he uses to make the structures on his superb 7mm layout.
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D.I.Y. Artwork for Photo-etching
Issue 190 (2009)
p.93
The near-universal adoption of computers and CAD technology has opened up exciting possibilities for model-makers seeking an easier, more accurate way of producing items as diverse as locomotive valve gear and lineside fencing. Gordon Gravett - creator of the award-winning Pempoul - gives some valuable pointers on preparing DIY artwork for photo-etching, a technique that's now available to everyone, home builders included. First however, he describes how it's done the traditional way...
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Ditchling Green
Issue 50 (1991)
p.275
7mm
Spurred on by MRJ, Gordon Gravett set out to recall his Sussex childhood in 7mm scale. The resulting layout is already a firm exhibition favourite, for obvious reasons.
Southern Region layout set in 1950s/60s Sussex.
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Fine Old Ruby
Issue 139 (2002)
p.313
7mm
We asked Gordon Gravett to take a closer look at this little 7mm car kit. We're sure you'll agree he's done a wonderful job of transforming its whitemetal and brass components into a model that really captures the character and charm of the original.
Branchlines Austin Ruby kit
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Flint, Brick, Slate and Clay
Issue 245 (2016)
p.51
7mm
After introducing Arun Quay in MRJ 239, Gordon Gravett describes how he creates the structures, applies the texture, and paints the first buildings for his inspiring new 7mm scale project
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Hiding the Joint
Issue 237 (2015)
p.47
Gordon Gravett describes techniques to help hide baseboard joints.
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Horses and Waggons
Issue 74 (1994)
p.243
7mm
Gordon Gravett returns to the land, reviewing Duncan Models' 7mm horse-drawn vehicles - and the motive power.
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Into the Distance
Issue 243 (2015)
p.300
A backscene can create a sense of space and Gordon Gravett has achieved this using simple techniques to paint a scene that the eye is aware of, but not drawn to. With a portable layout like Pempoul he has also explored the use of one long scene that successfully avoids a succession of joins that can spoil a removable background.
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